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I am more and more keen on the logistics of the idea of the modern city in the figures of Antonio Gaudí and Louis Kahn, which resulted in the final product and the insight it has offered to the architectural trade. Gaudí and Kahn were both students of Giovanni Battista Piranesi, an Italian architect who started a movement of free thinking in the direction of Baroque Revival before they came to city planning.While the idea of the city as a machine implies freedom of movement and an emphasis on circulation and transportation, we may not find such ideals in a city influenced by medieval criteria, such as the Christian conversion. The idea of the city may be a way of realizing the Romanesque city – the “microcosm”, or “subterranean world” – while the medieval city is a “megalopolis”, composed of some hundreds of inhabited spaces. Gaudí followed both these ideas in his work at Park Güell, where the idea of space and the city, the function of movement and the way of life, were put together and used and combined, in his investigations.
The crane. A renaissance of the machine. The modern crane is the modern man made structure, the structural assembly and the industrial tool. It is a machine that weighs above 7 tons. It is a machine that can work in the air on a high level and that exists today, just as long ago as hammers. The crusher, the mill and the piston used today are the architectural inventions of early man. The idea of the machine as an idea of progress in architecture had to fly to the heights. The crane came to the heights as soon as it was technologically possible.
For industrialists, the crane was the revolution officer of the age. They were the first to find new applications for the new machines, and at the same time they were the first to recognize the power of specialization. Since then, the crane is the symbol of industrialization. The building which had once been the person who founded its own factory, now became the crane. And thus he came to the heights, because the studio had changed places. The problem was, however, that one could find a lot of studios,
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