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_ **Layer Basics**_ Photoshop’s editing system is based on layers, which are a set of bits that define the boundaries of one area of an image as opposed to another. Layers allow you to change the entire image at once or on parts of an image as you alter it. Photoshop uses a single layer to handle the entire image, with the layer containing either the entire image or a visible portion of the image. For example, the entire image in Figure 1-1 is on a single layer in the Layers palette. This layer is called the canvas, and in Photoshop, an image is always on a layer called the canvas. To change the entire image on a layer, simply select that layer and press the D key. **Figure 1-1** The canvas layer Change the entire canvas layer with the D key. To alter just a portion of the image on a canvas layer, select the selection tool, shape-lasso tool, or any tool. Then, reposition that portion of the layer to where you want it to be and press the D key to move the entire canvas layer. Figure 1-2 shows an example of the usual image arrangement. Notice how the light blue layer is the canvas layer. The dark blue layer is the body of a person. **Figure 1-2** Two layers on the canvas When you change the size of the shape-lasso tool, the canvas layer automatically changes size accordingly. This is similar to the Photoshop canvas, which changes size depending on the size of the area that it contains. After you make a selection, you can modify the layer, as shown in Figure 1-3. Note that there is now a new layer that is visible. To access that layer, press the D key to move the canvas layer, or you can deselect the layer to lose the visibility of the other layer. **Figure 1-3** Modifying a shape selection You can change the color of an image’s layer by choosing it and pressing the E key. The new layer replaces the previous layer, and all changes that you make to it are also made to the canvas layer. You can use the Eraser tool to remove layers; however, it is not recommended that you use this tool. Simply go to Layer ⇒ Modify ⇒ Delete. This will delete all the objects on the layer, and they will not be visible in the image unless you apply another layer to the canvas
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In the graphic design world, editing an image is a complex process. Depending on your needs, you may want to create new imagery, re-touch existing images, adjust fonts, recolor images, sharpen contrast or add special effects. For this post, we are going to focus on a few of the most useful effects for photographers and graphic designers. 1. Color Correct Most photographers and graphic designers do one color correction on images — turning the entire image to the color they want. The problem is that it is usually hard to get a perfect color match. Photoshop’s built-in adjustment tools aren’t good at fixing complex colors. Plus, it doesn’t change the way you see the image, so you have to make sure you like the final result before applying the color changes. But for most images, color correction is unnecessary. If you’re working with a high-quality camera and you have edited the image in an editing software, you can achieve a 99% color match in Photoshop. Photoshop will usually do an excellent job of finding the correct color for images. However, if you’re trying to match a particular color or you’re working on a dark or under-exposed image, Photoshop might not be enough. That’s when Photoshop Elements becomes useful. Elements has several different modes for color correction — including a color picker, color eyedropper, and an image-based color picker. A color picker simply allows you to choose a particular color in the image. The other two tools are more advanced and will automatically adjust colors and light levels to get the best match. 2. Color Key Imagine that you have a snapshot of a famous painting that is made up of various shades of blue. But instead of painting the whole image blue, you want to change the shade of blue used for the sky, clouds, or foliage. You can do that in Photoshop using a color key. A color key is a palette that you paint over an entire image. Photoshop keeps track of where colors are on the image, and lets you add, remove, or move colors around. It’s a brilliant tool for adjusting color and tones in an image. We’ll be covering how to use a color key later in this article. 3. Resize Photographers often receive images that are larger than the print size they want. In 388ed7b0c7
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Tonya Harding’s son says she had ‘no idea’ about the stabbing FILE – In this March 27, 2015, file photo, former figure skater Nancy Kerrigan holds daughter Sydney at a news conference in Portland, Maine. Kerrigan, who was one of two women to be beaten by an assailant wielding a knife during a 1991 figure skating event in St. Louis, Mo., is widely credited with helping to turn the U.S. figure skating world upside down, leading to the downfall of her ex-husband, figure skating coach Chris Benninger. (AP Photo/Robert F. Bukaty, File) PORTLAND, Maine — Nancy Kerrigan’s son, Tatum, says she had no idea about her ex-husband’s alleged involvement in the violent attack on her in the figure skating world championship in December 1991, or that her son was going to testify against his father in court. Kerrigan, who was one of two women to be beaten by an assailant wielding a knife during a 1991 figure skating event in St. Louis, was the victim of an attack that changed her career. It led to the downfall of her ex-husband, figure skating coach Chris Benninger. While making her first appearance as a witness in a legal case involving her former husband, who is charged with murder and involuntary manslaughter in her stabbing, Kerrigan still appears indomitable. She was calm, poised and smiling Monday, both on her way in and out of her first public meeting since filing a defamation lawsuit against NBC and Telemundo, after one of the network’s broadcasters replayed audio of Kerrigan’s attackers discussing what they planned to do to her in court. “He knew that she had a couple of broken bones, but he didn’t know what degree and how extensive it was,” her son said. “He told her to not worry about her career.” “She was just thankful to be alive.” Tatum Kerrigan said he told his mother about what he’d planned to testify about — and she “knew none of it.” “She wasn’t worried about it at all,” the 33-year-old Kerrigan said. “She had no idea.” A lawyer for Kerrigan, who attended the meeting with her son, said she was “okay,” but declined to comment. Kerrigan sued NBC and Telemundo in January, seeking unspecified damages for defamation and emotional distress, and
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16: Process, retouch, paint, etc. 1, 2, 3: Edit the image until it looks complete. 2. 4, 5, 6: Make any final adjustments and adjustments to images 2. 6, 7: Edit colors and effects. 2. 7, 8: Select and duplicate the image. 9, 10, 11: Edit the duplicate image to make it look the same. 9, 10, 11, 12: Repeat the process with the next image. 13, 14, 15, 16: After you have finished the images, clean up the area around the images. 17: 17. 17. 18, 19, 20: 18, 19, 20, 21: The final image should look like a high-end photo. 18, 19, 20, 21: Use a small amount of Undo to remove flaws in the image. 22, 23, 24, 25: Save the image at the final stages of the process. 22, 23, 24, 25: The final image should look professional and polished. 26, 27, 28, 29, 30: Save the document. 26, 27, 28, 29, 30: The final document should look exactly like the finished photo. 26, 27, 28, 29, 30: Save the final documents. As you can see, lots of time can be wasted trying to figure out how to do a simple task in Photoshop. By learning some simple techniques for creating retouching brushes, you can make yourself much more productive. One of the most common techniques is called creating a Compatible color swatch. The Compatible Swatch function allows you to create an array of colors that you can use to create a new image. All you need to do is choose the colors to use for the new image, create a swatch or just rename the swatch, and you have access to a collection of pixels that you can apply to any document. If you have noticed that a common problem with color matching or color matching on websites is that the colors don’t match the text on the website, here is a simple technique to correct that. Figure 9-4 shows a swatch that has been applied to a Photoshop document. The image has been taken from the color swatch on the document. **Figure
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